Aaron Kyle sings as if he’s never five minutes from his last whiskey, or five minutes from his next, occasionally lurching into a down-deep growl you wouldn’t think could come from an angular white dude in a collared shirt and old browline spectacles.
But it’s that voice, and the woeful tales it conveys, that have endeared L.A. fans to the distinctly vintage soul-pop of Le Switch. “We’re not the fashion police,” Kyle says. “I think if you write a good song, people are going to respond, no matter whether it’s gonna end up in Vice magazine. Besides, I’d trade soul for cool any day.”
Le Switch’s sound, which nods to the likes of Leon Russell, Dr. John and Randy Newman, first began to take shape when Kyle fell in with drummer Joe Napolitano in 2005. Maria DeLuca (trumpet, viola, vocals) joined next, and by the time keyboardist Josh Charney and bassist Christopher Harrison had come on board, Kyle was eager to “make the Leon Russell or Harry Nilsson album we wanted to make,” he says. “Everybody in this band listens to a huge assortment of ’60s and ’70s music — there’s not a lot of new music I can drive with.” - LA Times
with:
The Minor Canon
The Breakups
Swim Party
8:30pm / FREE / 21+
Amongst the myriad of musicians that call Los Angeles home, Local Natives, a band favoring a new breed of energetic, percussion driven indie rock, have come to fruition. This clan of five gentleman craft songs reminiscent of a musical tribe, singing and dancing in harmony. Imagine if Beirut and Sufjan Stevens decided to join the eccentricity of Talking Heads and the aura of Broken Social Scene for lunch in Columbia and you’ve pinpointed what is Local Natives. In the age of auto tune and vocoders, Local Natives is one of those rare bands who is defined by their ability to deliver live. In fact, it has been more of challenge for the group to translate the vibrant and exciting nature of their performances to a recording than vice versa. But blessed with the charisma to tempt even the most despondent hipsters and shy concert goers into dance machines, Local Natives have honed their skills in both recording and performing the past few years. - Bio
The holloys’ dynamically evolving sound of avant-garde techniques and influences drawn from a diverse range of cultural traditions and musical genres culminates in the release of Art Wars, their new, five-track EP. With its beat-heavy blend of trance, dance, Afropop polyrhythm, neo-prog, electronica and soaring pop melodies, Art Wars finally ushers rock into the 21st century.
Los Angeles-based visual artist and musician Jim Brown has taken the holloys through many incarnations and performance venues. Jim has toured the holloys throughout Mexico and Japan as a solo act, performed in the piss-stained alleys and lofts of LA’s gallery district, and has included an acclaimed solo show at the Los Angeles Museum of Contemporary Art. At the same time, the holloys sound has evolved from ambient noise through abstract trance jamming to Art Wars’ successful reintegration of song and voice on its five, searing, pop-inflected and exquisitely danceable tracks.
¡¡¡ MARK YOUR CALENDARS !!!
To get a feeling for Joe and PU$$Y COW, read this!
Here's some video of Soko's last and only known L.A. performance:
Echo Park Named One of Top 10 Great Neighborhoods
And when you hear that, you might find yourself asking which Realtor came up with that ranking. Luckily, this time there is some creditability behind the designation: the American Planning Association. They "singled out Echo Park because of its breathtaking topography set in the hills above downtown, historic architecture, pedestrian-oriented streets and stairways, and engaged residents who, over the years, have gone to great lengths to protect and preserve their community," according to an APA release (add: their website has more info and history on why EP was chosen) .... more after you click on the image!
SUBMIT YOUR PICTURES!!!
THE MAE-SHI @ Spaceland
THE MOVIES @ Spaceland
DENGUE FEVER @ Viper Room
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